Olywa Days of Change Anita Bryant was an also-ran Miss America contestant in 1959 (Miss Oklahoma) and a christian pop singer who became a spokesperson for the lucrative Florida citrus industry. She popularized their slogans. “A day without orange juice is like a day without sunshine.”
Anita was also a rabid homophobe and a lightning rod in the thunderhead of anti-LGBT politics of the late 1970s. Anita Bryant was a piece of work.
In 1975, one of the social spots for young adults and students was, oddly, the local Crisis Clinic. Many Evergreen and Saint Martin’s students who were looking for ways to connect in the Olympia community volunteered there. Word of mouth got around that they offered exceptional training in communication skills, crisis intervention, suicide prevention, and de-escalation of acute mental health episodes, along with expansive knowledge about local agencies, resources, contact numbers, and their eligibility criteria. This was a treasure trove for students in sociology and psychology studies and those interested in internships or social-issue policy work.
Representatives from each household would meet weekly at a member’s house. We had product lists from the wholesale suppliers with whom we had previous ties and we would order items in bulk, purchasing only an amount we could completely divide up, keeping no inventory. We would bid on portions of wheels of cheese from Peterson’s in Seattle, crates of milk from Flett Dairy, sacks of oats and rice from Cooperating Community Grains, boxes of fruits and vegetables from Nisqually Valley Produce. These meetings were a little like the New York Stock Exchange: initial orders were compiled, then bids were taken to increase or decrease a family’s order until we reached a case lot.
“Off Campus” was an alternative secondary school located in a run-down rental house on Martin Way. The school was founded in the early 1970s by students and teachers. It was a non-profit organization run democratically by all of the students and all of the teachers that worked there. There was a corporation and a board of directors, but the decisions were made at meetings at the school every Friday where each person had one vote.
Staff at the college, however, were state employees and worked under conditions governed by the state civil service system. In these early days, Evergreen administrators tended to ignore the state rules and treated everyone as part of the “community family,” although Daddy was actually in charge.
Here’s what my life was like in the late 1960s while a student: Trips to the Pacific Ocean, driftwood, logging trucks, colorful flower-bedecked hitchhikers on freeway turn offs (on their way to San Francisco), light shows and strobes at Eagle’s Auditorium in Seattle, The Whole Earth Catalog, Helix (a brilliant “underground” newspaper), marching against the Vietnam War on the freeway and through downtown, buildings blowing up on campus, rallies at the federal courthouse, Radical Women meetings, Claire Fraser holding forth. I had the time of my life.
FIRST PEOPLES The Evergreen Longhouse – A Prehistory How I Got to Fulfill My Last Assignment from Mary Ellen Hillaire, The Evergreen State College Campus Came to Fund a Longhouse, To See It Built, and Open It In 1995 By Colleen Jollie Turtle Mountain Chippewa
Tess and I made a couple trips to Olympia looking at places. Olympia was semi-rural as close as two miles out of the Westside and Evergreen was essentially in the woods. We were interviewed by some landlords and potential housemates that just didn’t click for either of us. Our last stop was one recommended by Don Martin who knew a household that was having an exodus of roommates. They would have openings. It was Alexander Berkman Collective, “sister house” to the Emma Goldman Collective.
Olympia has a history not just of supporting roots music but also of being a Mecca for jazz artists, a petri dish for punk and garage, and a rich soil for the growth of Latin influenced bands.
In 1983, Lynn Patterson (aka LLyn De Danaan, photographer and cultural anthropologist), Marilyn Frasca (visual artist and Evergreen faculty), Shannon Osborne (owner of Smithfield Café), Mary Fitzgerald (photographer), Candy Street, Cappy Thompson (glass artist) and Carolyn McIntyre (the founder of Radiance) created an arts feast to demonstrate that artists were at the core of a new Olympia. They organized a month-long “Celebration of Olympia Artists” and, in the spirit of inclusivity and collaboration, invited the community to submit information about their own events and to participate in a variety of shows.