Memories and images of life in Olympia, Washington during an era of significant social change from the 1960s through the 1980s.

What’s New

  • Northwest International Lesbian Gay Film Festival – 1988 – by Helen Thronton
    Marge Brown and I started brainstorming the first NW International Lesbian Gay Film Festival in 1985. Planning began in 1986, a year and a half before the first festival opening date of 1988 . . . I made one of the first calls to a Chicago film distributor to book a film for our festival. The guy on the phone said he had lived in Olympia some years before, as he had been a student at Evergreen. He laughed as he wondered if there were any gay people in Olympia.
  • Olympia Offers Sanctuary to a Salvadoran Family 1983-1986 – By Bob Zeigler
    In the early 1980s, Saint Michael Catholic Church joined the national public Sanctuary Movement for Salvadoran and Guatemalan refugees who fled the wars in their countries but were denied US asylum . . . the parish went through three months of discussions and discernment looking at needs, risks, and benefits of doing this, and in a parish vote, more than 70% of members voted to become a sanctuary church. Four hundred members signed up to help in some way and raise the funds to support a family.
  • Men in Black at the Food Stamp Office – By Joe Tougas
    Donna, Sally, and I were talking over dinner the other evening about the way that the level of friendliness toward strangers had changed over the years, especially the way that people had become a little more guarded in how they interacted with government officials. Donna said, ”There was that time at the food stamp office, right? Did I ever tell you about that? Now that was a pretty flagrant example of hostility.” “No,” said Sally. ”I don’t think I ever heard about that.”
  • A Brief History of Theatre of the Unemployed – By Don Orr Martin
    Our troupe came together organically and by serendipity during a time of economic recession and political and cultural turmoil. We were an unusual, evolving group of mostly white, creative, working-class, young adults who wanted our perspectives to be heard. Our hard-working collective created or produced 17 plays on a shoestring from 1975 until 1981 . . . Participating in the radical political and cultural upheavals of the late 1960s and early ’70s, we developed a love of collective performance as a resource for personal and institutional transformation . . . critical thinking and resistance to oppression.
  • A Fantasic Odyssey in Music – By Connie Bunyer
    I arrived in the spring [of 1981] and didn’t really have a plan, just hoped the universe would take care of me. I had my guitar and my flute, headed to Percival Landing, and put out a hat. usking was slow that time of year, but a wonderful woman came by and offered to let me play in her coffee shop for tips and snacks: first gig, Café Intermezzo.
  • Olympia Farmers Market – By Becky Liebman
    The early days presented a consummate catch-22 situation. Growers did not want to participate unless there were customers. Customers would not return if there wasn’t produce to buy. As manager, I considered myself a marketing genius: I would call numbers I found in the classified ads of the Daily Olympian with a pitch something like, “I see you’re selling cucumbers. Did you know we have a farmers market in Olympia, open every Friday and Saturday alongside Capitol Lake?” Slowly the word spread.